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Winter on Callisto, 1971

by Chameleon Treat

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1.
Invocation 02:18
2.
Hecate 05:45
Well, since the age of ten I've thought and then I've thought again. Those quirks follow me around like sensitivity to sound. One syllable, one name, a lightning bolt of shame hits me just the same: Anxiety remains. It's silly for a kid but all I ever did was try to find a place by running every race. The mandrake root grew upright too. The screaming leaves put me to sleep. I'd ask aloud what I left out. The clouds would stare and they'd twist about. Your house is on the way. Signs from 30 miles away. I wish you all the best. The main sign of your success is brought in on a ring-- bright and sparkling-- like an open mouth that chews and spits me out. Moving out again, a neverending spin. Walls become the floor: Centripetal force. A three-headed god lives in the ground. A broken stone: the eye alone, no mouth to speak. Under our feet: a whole history of Hecate.
3.
After lunch had come to pass, i heard him tell the bleary class, "...many ways to skin a cat..." He laid it flat upon its back and took the sacrificial knives--the sharps we're trading every time-- to disconnect the fragile heart and paste it to a pastel chart. And I kept all the drawings that you did when you were a kid. But i guess there's beauty in that too, if it's what you wanna do. Labelling the lifeless parts, he treats it like an ancient art where history, anatomy, will intersect so naturally. Like Muybridge's photographs, the movements held you in their grasp, tracing lines and muscle groups, the split begins to be confused. But I liked the drawings that you did when you were a kid. But I guess there's beauty in that too, if it's satisfying you. Finer studies, lesser art; the stem, the flower, drawn apart like puzzle pieces, alchemy, together linked till recently like cutting teeth while pulling hair. In the margins of Voltaire the diagrams of heads and hands that blast away the ampersands. And I wish you still painted like you did back when you were a kid. But I guess there's beauty in that too if it's what you wanna do.
4.
Asked an oracle surrounded by the ancient grecian sand if we'll survive. She closed her eyes and quickly prophesied: "your wooden palisades won't save a soul when the laurel wreath is burned by Apollo. The archer and his ship be consumed. It's no forever, but I hope that it will do". I wanna be with you till the sun destroys the earth. Till the planets all start spinning in reverse. The only comfort in a shattered universe is to be with you when the sun destroys the earth. Drift from solar wind; Hurl through space and time. We'll just pretend it's a soothing sleepy summer breeze. Or maybe we can find a place on mars with a net to keep our dog held in the yard. We'll never think again about our jobs. I guess we'll never think again at all.
5.
Look into my heart andy... is there a fish living inside me? Cuz a fishbowlhead you see would never let the sucker free. Sleeping in their submarines, heads in bubbles never learn to breathe. Three rings from a bell above would get them torn into a giant flood. Idleness-- to the crow-- does not exist... I don't think so. A certain song, a certain flight. Birds on the left, sea on the right. Put my name down on the list and they put me on a rocketship. Put my name down again into translations by an Oxford man. Disembarking from a sandy beach, the beasts, the air, the birds their song do cease and the smoke will rise in perfect lines: another omen for our book of signs. Idleness-- to the crow-- does not exist... I don't think so. A certain song, a certain flight. Birds on the left, sea on the right. The morning sun burned the hands that rowed the oars away from shore and those that stayed-- the petrified-- became the dirt or fossilized.
6.
Wander 03:34
Sail for near a decade learning a trade Slowly. Steps shake stardust from trees broken brambles bleeding. I thought the air would clear but its stuffier up here, I've found. And they will eat away your time, while you age they change your mind, you'll find. Worn down by a slow wind: a relentless sandblast. You're on board or you're offboard. Like brutes from the abyss rising through the mist unknown, all your problems will arise, chasing as you climb or swim. Just don't float in vacuo or the senses start to go hollow, and it isn't all that rare; the lungs refill with air again. So put some purpose in your drift. Wander like an ancient myth.
7.
"How are you?" I'm doing fine we should talk some other time conversation worries me I never answer honestly is this a test? it always is the pressure builds I flip my lid while standing in the airlock pulling hairs attached to punctuation marks it hurts and dissapears but in a week it reappears and word will spread from down the hall excuse me I should take this call... When smoke is pouring from my eyes please don't be surprised and if I forget the time it's because the minutes aren't quite mine. Scratches on the hardwood floor; no one sits there any more. No kitchen table, there's no chairs; if I don't see it, I don't care. Have I always been this way or did I once have things to say? I remember being somewhat different. Hear the scissors snapping up around the flower buds that just wont open good enough. Snip snip, they're chopped, and decompose. It rains and then the waste erodes. It would feel a bit contrived to call you a friend of mine. I'll still be waving as you pass by the outside of the glass. Sending flowers and a vase though it may be in poor taste and every time you hit the road I'll be smiling here at home. I'll be smiling here at home. I'll be smiling here at home. I'll be smiling here at home. I'll be smiling here at...
8.
Beneath an icy crust an ocean percolates; bubbles rising up from hydrothermal vents. The gentle glow below from a molten core organizes life around the lava flow. Spend a winter in the moon. Walk in circles Crafting views. Could you make it permanent? Will your voice stay coherent? The lives of other worlds are based in different facts. Never yearned for the abstract; a camera never flashed. They know nothing of "the fall", no need to be redeemed. The discordant melts away in a rush of steam.
9.
Gentle Shove 05:39
In 30 days a widened eye can acclimate to the lack of sun: watch the pupils dilate. In every world, the natural root of history will sprout the hands that shove you into normalcy. Misrepresenting the shape of reality. Dragged from the cave but the sun doesn't shine on me. When it rains, I sink into a curving, craggy chair; it cuts designs into my hands, feet and thighs. I shift, and prepare but the pattern's always there. I hunch and scrawl until I hear the warning bell. The roof will leak until they patch it up again. In future days A committee will evaluate. The floor will shake and blur the lines that I have made. You draw what you know and I'm not sure I know anything.
10.
Sophocles 09:16
When he wrote antigone--way back in antiquity-- would he rake the rutted streets scratching for a phrase or two? Could he find the time to think even if he wanted to? Every year, a trilogy lays out his ability. Judges all looked on and approvingly they frowned while Prometheus was bound in a jar of hope and drowned. Was I made for different days or just a different stage? Was Medea saved when she was carved into the page? In lists of names and families, what gets lost most frequently is he who crafts the mask for the character to wear; who was painting all the scenes, were they falling from the air? Frescoed saints that authorized love the works they patronized. Names are swallowed by the moon and it will not let them die if they ever meet an end, it's the end of all our lives. Was I made for different days or just a different stage? Was Medea saved when she was carved into the page? Mirroring Euripides, i'll draft my own tragedies. The heat will leave my hands and control will follow suit, and I'll be healed upon the rock if I'm forgotten by the flock.
11.
A solitary walker through tulieries thought aloud, the sound traveled off for centuries. At the time, the world was comprised of a system that could only criticise. The body leaves, the spirit stays, and judgment lasts but for a day. Breeding insecurity: It’s not romantic to be organic. The threads of my ability are laid out like a tapestry. The strings that get away from me are colors that I’ll never see. But measuring success in comparisons and tests is a devilish painful trade for the thoughtful things you’ve made. Are opinions equal across the board? Who decides who stays alive? Who swings the sword? If I’m told that I’ve failed to provide a description for what cannot be described I'll deliver something anyway, the best attempts of yesterday; drafting up a world and sketching portraits to preserve it. If I walk where I am drawn, if I work until I’m gone, know I will be fulfilled. But for now it falls to you and I have done all I can do; you’re on board or you’re off. If you decide I don’t belong and all the birds reject my song then I’ll find a different moon.

about

Introducing:
Winter on Callisto, 1971!

Richly presented in FULL-COLORSCOPE TECHNIVISION™ courtesy of the technical wizards at Reptilian Snack Records.

Climb aboard the International Space Program’s crown jewel, the VIRGIL IV, with a team of intrepid, highly-skilled scientist-adventurers. Sit beside our brave protagonist, Andrzej Maro, on a starblurred journey to the Galilean Moons of Jupiter. Land upon the surface of Callisto after a decade of odyssean obstacles and isolation. There, you will travel deep into the center of the unexplored moon, meeting an secluded civilization that offers you a serene atelier amidst a chaotic universe.

What are the people like?
Minimalist. Efficient. A utopian vision of a future free of distraction--where access to life-giving light becomes the only currency.

What happens beneath the surface?
Our hero is faced with a daunting test: produce a work of art to prove he belongs in this spellbinding wonderland.

The result?
Adventure! Romance! Stress and anxiety! The trials and tribulations of creative life in an undefined landscape. You, the viewer, perched on the edge of your seat!

Will he succeed?
Discover for yourself!

The reviews are in:

Maude E. Wells of the New Buffalo Herald Tribune raved, “Riveting… Needs to be seen to be believed”

“I felt transported!” shouted of Howard James Bates of the Missoula Free Review

“I suppose I’d recommend it.” -Skeeter Steele, San Francisco Evening Report

Frances McKennedy of the Postville Post-Gazette Evening Post calls it “overwrought and frankly befuddling! A muddled pop-culture mishmash at best!”

Can you muster the courage to wander far out beyond your comfort zone? Can you carve a world of your own into this unfamiliar moon? Find out in the sci-fi blockbuster event of the year!

Before you lies a warmly-saturated, hypnotic pool of sci-fi psychedelia and space-age futurism. Plunge yourself into the alternative timeline of Winter on Callisto, 1971!

[A Chameleon Treat production, in conjunction with RSR™ and Callistilian Books Inc.]

credits

released September 17, 2020

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about

Chameleon Treat Pittsburgh, Pennsylvania

Chameleon Treat is an artist interested in neo-psychedelia and offbeat pop.

The band is currently the solo project of Andrew Kruske.

Direct booking inquiries/questions to: chameleontreat@gmail.com


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